The three volumes of Der botanische Wortschatz des Altenglischen had to be digitalised: this paper provides a glimpse at how it was done and which problems were encountered. Our intentions are to update it not only with regard to scientific research but also in technical aspects. “They seem totally useless,” he said, “but without them around, nothing works.The fwf-funded project ‘Dictionary of Old English Plant Names‘ is based on the work on this subject carried out by Peter Bierbaumer in the late 1970′s. Gondry loved the new Britt, who reminded him of an incompetent bass player in his brother’s old ska band, Coup d’Etat au Benin. The studio admired Gondry’s concept of “Kato-vision”: fight sequences in which combatants moved at different speeds within the frame. I don’t read the newspapers as much as I should.”Ĭhow was supplanted by Gondry, by then an established movie director (“Eternal Sunshine of the Spotless Mind”). “Maybe they’re doing that in China, and I’m not aware of it. “Stephen wanted Kato to implant a microchip in Britt’s brain and control him with a joystick,” Rogen said. The Hong Kong filmmaker Stephen Chow (“Kung Fu Hustle”) was recruited to direct, but he too had creative differences. Rogen and his frequent writing collaborator Evan Goldberg hopped aboard the “Green Hornet” carousel in 2007, drafting their own script when Columbia Pictures, a Sony subsidiary, picked up the option. Literally: It was published as a comic book. In 2004 Kevin Smith (“Clerks”) signed up to write and direct, and Jake Gyllenhaal was approached to star Smith’s script, featuring a female Kato, was also shelved. Miramax won the bidding war, hoping to broker a product placement deal with an automaker for a reported $35 million or more. “The Green Hornet” remained on the shelf until 2001, when Universal put it in turnaround. “The studio said it had ‘creative differences’ with us, so the film was shelved.” “The Green Hornet killed him with a microwave oven,” said Gondry. Their villain met his end after swallowing a pacemaker. “Our villain ate human hearts,” Gondry recalled. Gondry and the “Robocop” screenwriter Edward Neumeiers reimagined the story as a futuristic fantasy. Jason Scott Lee, who had played Bruce Lee in a 1993 biopic, was tapped for Kato. Though the lead was offered to Mark Wahlberg, Gondry said his first choice was Vince Vaughn. “The Green Hornet” languished in development until 1997, when the French music video wizard Michel Gondry was hired for what was to be his feature film directorial debut. Clooney dropped out to star in “The Peacemaker.” Eddie Murphy was the first actor to lobby openly for the part George Clooney, the first to accept it. Hollywood didn’t kick the Hornet’s nest again until 1992, when Universal optioned the rights for the big screen. But this “Hornet,” on ABC, lasted a single season. Britt (Van Williams) was upstaged by his magnetic manservant (the great Bruce Lee), whose kung fu prowess completely eclipsed his boss and whose gadgetry (ultrasonic lock openers, “infra-green” headlights) might have made the Q Branch of the British MI-6 envious. In 1966 “The Green Hornet” turned TV novelty. And as in the first serial the Black Beauty was a 1937 Lincoln-Zephyr. Once again the setting was a neon-nylon wilderness of shiny asphalt and twitching city lights. Naturally, the actor who portrayed him (Keye Luke) was Chinese.Ī sequel, this one with 15 chapters and a new Britt (Warren Hull), came out in 1941. But with anti-Japan sentiment mounting, the radio Kato abruptly turned Filipino. In a rare case of cross-media schizophrenia, whenever Jones wore the mask, his voice was dubbed by Al Hodge, the radio Hornet. Gordon Jones, who later played Mike the Cop on “The Abbott and Costello Show,” took on the role of Britt. X.įour years into the run Universal released a 13-episode “Green Hornet” movie serial. “Here’s where we smash a numbers racket!”īrandishing guns that sprayed knockout gas and buzzing about in the Black Beauty at speeds up to 200 mph, the pair battled saboteurs and gangland hoods with names like Mr. The playboy publisher and his Daily Sentinel shared a slapdash, insouciant impudence. “The Green Hornet” is a relic from a time when big-city dailies had power, energy and glamour. Trendle and Fran Striker, who three years earlier had created the popular radio show “The Lone Ranger.” Back then Kato was Britt’s mostly silent sidekick - a relationship not unlike the one that other masked man had with Tonto. Their fractious friendship, however, bears little resemblance to the one conceived in 1936 by George W. They pose as bad guys and prowl the streets of Los Angeles at night in Britt’s car the Black Beauty, a mid-1960s Chrysler Imperial that Kato has tricked out with flip-down turntables, rocket pods and retractable. Struck by a sudden impulse to make something of his life, Britt enlists Kato as his partner in crime fighting.
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